#jaime v asos

[death-of-cats]

sluttiest thing a man can do is pass out from pain

[ilynpilled]

u know theres been a containment breach when someone asks this question on my blog

[gwenllian-in-the-abbey]

Anyone who thinks that Rhaenyra calling Helaena "my sweet sister" means anything positive about their relationship or about Rhaenyra's feelings for Heleana needs to go back and re-read the main series (or read it period, because trust me you will understand F&B a lot better with ASOIAF as context).

In ASOIAF "sweet sister" is that phrase is used disparagingly the vast majority of the time. A quick search reveals it is used 82 times, and the character who uses this phrase by far the most is Tyrion when speaking about Cersei (an example from ASOS Tyrion I):

There are also multiple examples of Jaime using it about Cersei too, especially when he's unhappy with her (a random example from AFFC Jaime V):

Other people also use it referring to Cersei, again sarcastically. "Your sweet sister did X." Which makes sense! Cersei is pretty notorious and people gripe about her to her brothers pretty often.

Beyond various people talking about Cersei, the top offender is Viserys, who uses it quite a bit when addressing Dany, usually with a bite of malice (AGOT Daenerys I):

Interestingly, Viserys later calls out to his "sweet sister" when he is begging for his life. I can't imagine that reminding her of all the times he threatened her with those same words helped his case very much.

There's one instance of Arya using it about Sansa when she is giving an insincere apology (AGOT Sansa III):

Here is Theon using it about Asha (ACOK Theon V):

Lysa also uses it about Cat, and her feelings about her "sweet sister" at this point are pretty negative (ASOS Sansa VII):

You get the picture. At the very best, it's used with a fond sort of sarcasm, at worst it's actively spiteful. You can count on one hand the number of times it is used sincerely in the whole entire series, and really there's only one instance, from Edmure to Cat, that I would read as 100% sincere without even a tiny hint of sarcasm. F&B doesn't have anyone's POV to indicate the tone with which Rhaenyra said those words, and although it's possible this might have been the second time in the whole of ASOIAF that we were meant to treat those words as unquestioningly sincere and loving, I think this is a bit like the discourse around "sharply questioned." Those words, in-world, tend to carry a connotation beyond their surface meaning. It would not be something reassuring to hear terms for surrender given using the phrase "sweet sister," and in fact, given that we have no other indication that Rhaenyra has any sort of relationship with her siblings whatsoever, Helaena would be entirely justified in interpreting her words as spiteful or sarcastic. After all, if you're using a quote from the book to speak to Rhaenyra's intentions, the character you're referring to is book!Rhaenyra, who is not shown to be an overly nice person. Even by the most charitable reading, we can safely assume that those words were included by Gyldayn in his history knowing that in-world readers would read them as insincere. They are not intended to portray Rhaenyra and Helaena's relationship in a positive light.

[asongofstarkandtargaryen]

There are some heavy anti parallels between Daenerys Targaryen and Joffrey Baratheon/Cersei Lannister as monarchs in the way they treat Ser Barristan Selmy.

Joffrey dismisses Barristan Selmy from the Kingsguard because he needed someone to blame for his father's (Robert's) death. Of course, Joffrey is in reality his mother's puppet King, who considers dismissing Ser Barristan Selmy a great decision, as it would clear the way for Jaime to become the commander of the Kingsguard and give his a seat on the Small Council ( and Lannisters are all for nepotism in the way they run things). Plus, with Ser Barristan Selmy gone, Joffrey could make his personal guard Sandor, a member of the Kingsguard, something that Cersei also considered a winning situation.

Cersei sighed. "Joff wanted someone to blame for Robert's death. Varys suggested Ser Barristan. Why not? It gave Jaime command of the Kingsguard and a seat on the small council, and allowed Joff to throw a bone to his dog. He is very fond of Sandor Clegane. We were prepared to offer Selmy some land and a towerhouse, more than the useless old fool deserved."

Tyrion I, ACOK

The above passage not only reveals that Joffrey is his mother's puppet King but also that Cersei isn't the most clever person when it comes to ruling. Not only she fell for Varys' plan but she is also a very bad judge of other people. She considers Barristan Selmy an "useless old fool" when he's a great fighter and an asset due to his experience and strength for any ruler to have by their side. She also considers a great exchange to have Sandor in Barristan Selmy's place and we saw how that worked for the Lannisters at the end of ACOK.

Another passage on this specific incident that shows Cersei's myopic way of thinking:

"Ser Barristan was the Lord Commander of Robert Baratheon's Kingsguard," Tyrion reminded her pointedly. "He and Jaime are the only survivors of Aerys Targaryen's seven. The smallfolk talk of him in the same way they talk of Serwyn of the Mirror Shield and Prince Aemon the Dragonknight. What do you imagine they'll think when they see Barristan the Bold riding beside Robb Stark or Stannis Baratheon?"

Cersei glanced away. "I had not considered that.

Tyrion I, ACOK

Let's compare it with Daenerys, who finds out that Ser Barristan Selmy was lying to her about his identity. What is more, she realises that the man she trusted as her advisor was serving Robert Baratheon for years. Ser Jorah, in a move that closely reflects Varys' manipulation of Cersei/Joffrey, offers to kill Barristan Selmy for Daenerys. But Dany, needs to first listen Barristan's story before she decides what she'll do with him:

"Why are you here?" Dany demanded of him. "If Robert sent you to kill me, why did you save my life?" He served the Usurper. He betrayed Rhaegar's memory, and abandoned Viserys to live and die in exile. Yet if he wanted me dead, he need only have stood aside . . . "I want the whole truth now, on your honor as a knight. Are you the Usurper's man, or mine?"

"Yours, if you will have me." Ser Barristan had tears in his eyes. "I took Robert's pardon, aye. I served him in Kingsguard and council. Served with the Kingslayer and others near as bad, who soiled the white cloak I wore. Nothing will excuse that. I might be serving in King's Landing still if the vile boy upon the Iron Throne had not cast me aside, it shames me to admit. But when he took the cloak that the White Bull had draped about my shoulders, and sent men to kill me that selfsame day, it was as though he'd ripped a caul off my eyes. That was when I knew I must find my true king, and die in his service—"

"I can grant that wish," Ser Jorah said darkly.

"Quiet," said Dany. "I'll hear him out."

Daenerys V, ASOS

Daenerys, unlike Cersei, won't allow any advisor of hers to cloud her judgement. She knew beforehand that Ser Jorah was antagonistic towards Ser Barristan so even if she doesn't fully know the reason yet ( the revelation that Jorah was a traitor happens right after that passage) she won't allow him to interfere while she gets Barristan's confession.

Of course, after she finds out that not only one but two close advisors of hers have betrayed her she has a strong reaction. It's only natural for her to do so. And yet, despite that antis always accuse her of being merciless, she shows mercy while dealing with them. Another ruler would execute them both for treason and no one would bat an eye. In fact, everyone would say that their action was justified while treating with two traitors. But Dany admits on her inner monologue that she can't do that:

Go, go away forever, both of you, the next time I see your faces I'll have your traitors' heads off. She could not say the words, though. They betrayed me. But they saved me. But they lied. "You go . . ." My bear, my fierce strong bear, what will I do without him? And the old man, my brother's friend. "You go . . . go . . ." Where?

And then she knew.

Daenerys V, ASOS

When they both return successful from their mission to help the capturing of the city of Mereen, it's time for her to decide what she'll do with each of them.

Even while she has every right to be angry with them - and she is- she is still fair towards them and admits twice that they helped her to win Mereen.

Before she makes her decision, she opts to listen to Barristan's story once again, to understand better the reasons why he acted the way he did. It's a good move for a leader because someone who leads needs to know all the facts in order to make a fair judgement on someone. And that's what Dany does.

Barristan doesn't sugarcoat his opinion. He tells her that he considered Robert a good man and that's why he followed him instead of Viserys who he thought to be unfit to rule. He even tells Dany that he lied about his identity because he wanted to make sure she was - unlike her father and brother Viserys- fit to rule before he pledged his sword to her.

Once again, another ruler would be offended by the knight's words. He insulted her dead relatives by calling them unworthy to rule,which are true facts but how many rulers or even mere noble do you know besides Dany that would accept hard truths about their families? And then he proceed to tell her that he didn't automatically choose to follow her because she's the rightful ruler - remember both Dany and Barristan live in a world where they believe in ruling by birthright- but first he had to test her abilities to rule. And Dany was okay with that! How many rulers or again mere nobles do you know that would be okay with someone questioning their birthright and telling them that they need to prove their worth before they claim it? I really believe that as a fandom we don't give Dany the recognition she deserves for being more humble than most while dealing with these subjects.

Daenerys decides to allow Ser Barristan Selmy to remain by her side and that shows her political genius - which again is hardly recognised in the asoiaf fandom. She set aside her hurt pride by the knight's words and saw the bigger picture: someone who decided to follow her not simply because of her birthright but because he considers her a component leader is gonna be forever loyal to her. And Barristan Selmy is an asset for a ruler to have by their side, something that Tyrion had pointed out on his own chapter while he was dealing with the knight's dismissal by his nephew/sister.

And Dany made the right decision because we can see how much loyal Ser Barristan is to her on the fifth book of the series. He remains loyal to her even after Dany goes missing towards to the end of the book.

[thekeytothenorth]

underrated jaime trait is whenever he decides to weaponise his kingslayer reputation

eddard ix AGOT

jaime v ASOS

[deathless--aphrodite]

Jaime and Brienne + water

Jaime I, ASOS / Judith Taylor, The Water / Edmund Dulac, The Little Mermaid / Jaime I, ASOS / Arya III, AGOT / Clayton Anderson, Misty Morning - Smugglers Cove / Jaime III, ASOS / Gwen Benaway, day/break / Emile Martin Charles Schwabe, Fleurs-du-mal spleen et ideal / Jaime V, ASOS / H. L. Davis, In This Wet Orchard / Christian Birmingham, The Little Mermaid / Jaime VI, ASOS / Hakushu Kitahara, The Water Surface / Julia Tar, The Druids / Brienne II, AFFC / Nate Pritts, Mist Everywhere / Alexander Rothaug, Female Faun by the Water / Jaime IV, AFFC / William Fargarson, Elegy with Steam / Gennady Spirin, The Little Mermaid / Cersei III, AFFC / Mitski, Sqaure / John Longstaff, The Sirens 

[agentrouka-blog]

Do you think that the Dance is also meant to be a foreshadowing for the books like D vs fA or Jon? Because I feel like with how the story is centered to the Starks, whoever gains their support (obv Jon if he joins 😂) will win and we get to have a second hour of the wolf

Let's put it this way: The main novel series is the point, and the Dance of Dragons is a result of its existence, it is fictional historical backstory that is meant to inform, illustrate and foreshadow the events of the main series.

The first book of the main novel series was published in 1996. It already contained references to the Dance of the Dragons, and they reappear sprinkled through the series, increasing in detail and relevance.

What is interesting is that the thing most emphasized about the Dance in the main series is the intra-family strife. Brother v. sister - and transcribed into the kingsguard: brother against brother, metaphorical and literal.

Bran was going to be a knight himself someday, one of the Kingsguard. [...] Bran knew all the stories. [...] The twins Ser Erryk and Ser Arryk, who had died on one another's swords hundreds of years ago, when brother fought sister in the war the singers called the Dance of the Dragons. (AGOT, Bran II)

It's a popular, high-culture piece of music that plays on the multiple perspectives of the historical event.

Later, while Sansa was off listening to a troupe of singers perform the complex round of interwoven ballads called the "Dance of the Dragons," Ned inspected the bruise himself. (AGOT, Eddard VII)

A Clash of Kings (1998) contains no reference, though you could consider the entire developing civil war to be an answer to that first reference.

A Storm of Swords (2000) picks it up again in much greater detail.

Stannis - notably having killed his brother over the throne - emphasizes the aspect of treason while discussing the fate of his wife's uncle Alester Florent.

"It has always been so. I am not . . . I am not a cruel man, Ser Davos. You know me. Have known me long. This is not my decree. It has always been so, since Aegon's day and before. Daemon Blackfyre, the brothers Toyne, the Vulture King, Grand Maester Hareth . . . traitors have always paid with their lives . . . even Rhaenyra Targaryen. She was daughter to one king and mother to two more, yet she died a traitor's death for trying to usurp her brother's crown. It is law. Law, Davos. Not cruelty." (ASOS, Davos IV)

The song makes another appearance at Joffrey's wedding, once again emphasizing that it is a complex story from multiple perspectives. Also setting up the inter-Lannister collapse that has been brewing for a while and explodes with Joffrey's murder.

Collio began with his version of "The Dance of the Dragons," which was more properly a song for two singers, male and female.  (ASOS, Tyrion VIII)

Jaime brings it back around to the kingsguard pseudo-brotherhood, which mirrors the inter-family aspect of the civil war.

The old and the new. Jaime wondered if that meant anything. There had been times during its history where the Kingsguard had been divided against itself, most notably and bitterly during the Dance of the Dragons. Was that something he needed to fear as well? (ASOS, Jaime VIII)

Given the mess that is made of the kingsguard in the coming book in KL and in Dorne... yes, Jaime.

By AFFC (2005) GRRM firmly establishes the Dance as a historical reference for destructive civil war over feuding siblings.

And the songs he chose . . . He sang of the Dance of the Dragons, of fair Jonquil and her fool, of Jenny of Oldstones and the Prince of Dragonflies. He sang of betrayals, and murders most foul, of hanged men and bloody vengeance. He sang of grief and sadness. (AFFC, Sansa I)

It also turns the focus on Criston Cole as an alleged external engineer of such strife. Interestingly, his arms resemble a ladybug, Targaryen colors but not Targaryen.

"Most deserve to be forgotten. The heroes will always be remembered. The best." "The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." He tapped the page he had been reading. "Who?" Ser Loras craned his head around to see. "Ten black pellets on a scarlet field. I do not know those arms." "They belonged to Criston Cole, who served the first Viserys and the second Aegon." Jaime closed the White Book. "They called him Kingmaker." (AFFC, Jaime II)

Contrasting to Stannis, Arianne uses the Dance as an example of treason from the other side, trying to manipulate kingsguard Arys Oakheart into supporting her coup against her father and brother, even though by Dornish custom her role would more rightly resemble that of Aegon II because she is the legal heir and believes her father to favor second-born Quentyn. Notably, Criston Cole is blamed over all Targaryen's involved. Ridiculous but probably significant.

Ser Criston Cole. Criston the Kingmaker had set brother against sister and divided the Kingsguard against itself, bringing on the terrible war the singers named the Dance of the Dragons. Some claimed he acted from ambition, for Prince Aegon was more tractable than his willful older sister. Others allowed him nobler motives, and argued that he was defending ancient Andal custom. A few whispered that Ser Criston had been Princess Rhaenyra's lover before he took the white and wanted vengeance on the woman who had spurned him. "The Kingmaker wrought grave harm," Ser Arys said, "and gravely did he pay for it, but . . ." (AFFC, The Soiled Knight)

Quite fittingly, Arianne's own little "dance" ends with horror and death and deep regret on her side, while poor Quentyn is busy on the other side of the planet.

Meanwhile, GRRM keeps the subject current in ADWD (2011) after Tyrion joins the entourage of "Young Griff", mixing in a reminder of different perspective on historical events. And some dragonslaying. Clearly, he has compiled a lot of detailed backstory for this civil war by now.

Haldon was unimpressed. "Even Duck knows that tale. Can you tell me the name of the knight who tried the same ploy with Vhagar during the Dance of the Dragons?" Tyrion grinned. "Ser Byron Swann. He was roasted for his trouble … only the dragon was Syrax, not Vhagar." "I fear that you're mistaken. In The Dance of the Dragons, A True Telling, Maester Munkun writes—" "—that it was Vhagar. Grand Maester Munkun errs. Ser Byron's squire saw his master die, and wrote his daughter of the manner of it. His account says it was Syrax, Rhaenyra's she-dragon, which makes more sense than Munken's version. Swann was the son of a marcher lord, and Storm's End was for Aegon. Vhagar was ridden by Prince Aemond, Aegon's brother. Why should Swann want to slay her?" (ADWD, Tyrion III)

Dragonslaying comes up again in the context of Hazzea and the effects of dragons in general.

If I look back, I am doomed, Dany told herself … but how could she not look back? I should have seen it coming. Was I so blind, or did I close my eyes willfully, so I would not have to see the price of power? Viserys had told her all the tales when she was little. He loved to talk of dragons. She knew how Harrenhal had fallen. She knew about the Field of Fire and the Dance of the Dragons. One of her forebears, the third Aegon, had seen his own mother devoured by his uncle's dragon. And there were songs beyond count of villages and kingdoms that lived in dread of dragons till some brave dragonslayer rescued them. At Astapor the slaver's eyes had melted. On the road to Yunkai, when Daario tossed the heads of Sallor the Bald and Prendahl na Ghezn at her feet, her children made a feast of them. Dragons had no fear of men. And a dragon large enough to gorge on sheep could take a child just as easily. (ADWD, Daenerys II)

In a telling twist on the name that pulls it directly into the present and likely future, we look at burned Quentyn:

After the girl was gone, the old knight peeled back the coverlet for one last look at Quentyn Martell's face, or what remained of it. So much of the prince's flesh had sloughed away that he could see the skull beneath. His eyes were pools of pus. He should have stayed in Dorne. He should have stayed a frog. Not all men are meant to dance with dragons. (ADWD, The Queen's Hand)

Which echoes again with Arianne in her TWOW sample chapters (2010-ish), which (interestingly) also flesh out her relationship with Daemon Sand, an intentional reference to a prominent character in the dance linked to Rhaenyra.

"Once we know beyond a doubt whether these be friends or foes, my father will know what to do," the princess said. It was then that pasty, pudgy Teora raised her eyes from the creamcakes on her plate. "It is dragons." "Dragons?" said her mother. "Teora, don't be mad." "I'm not. They're coming." "How could you possibly know that?" her sister asked, with a note of scorn in her voice. "One of your little dreams?" Teora gave a tiny nod, chin trembling. "They were dancing. In my dream. And everywhere the dragons danced the people died."

Much like with Daenerys, this reference emphasizes the destructive effects of the dragon-based civil war.

Since Arianne's little stint as pseudo-Rhaenyra went nowhere, but the Dance references remain thick and strong, we can likely look at her upcoming connection to Aegon as the point of it all.

Incidentally, GRRM has already set up their future conflict:

Now, how do you suppose this queen will react when you turn up with your begging bowl in hand and say, 'Good morrow to you, Auntie. I am your nephew, Aegon, returned from the dead. I've been hiding on a poleboat all my life, but now I've washed the blue dye from my hair and I'd like a dragon, please … and oh, did I mention, my claim to the Iron Throne is stronger than your own?' " (ADWD, Tyrion VI)

This places Tyrion into the role of a Cole-figure, hilariously, having pushed Aegon into changing direction to claim the throne directly without Dany.

There's the strife between family members, kingsguards, factions, and manipulative third parties, all over a throne that really isn't worth it, told from multiple perspectives, bringing misery and destruction to the smallfolk.

All the extra material on the Dance of Dragons was published after ADWD, from A World of Ice and Fire (2014) to the novellas (2013-2024) to Fire and Blood (2018), with one small reference to the extinction of the dragons after the Dance in The Mystery Knight (2010). So all this backstory was compiled and built up in the service of of the main story GRRM is telling.

You rightfully bring up Jon, Daenerys and Aegon all together, but it's extremely unlikely that Jon Snow is going to be a driving factor in a Dance of Dragons 2.0 because he will only just find out that he has Targaryen ancestry, and in a way that puts him it in conflict with her Stark ancestry.

No, this war is going to be between two established family members who both have claims and means alongside the ambition to ascend the Iron Throne. Not quite brother v. sister but aunt v. nephew. Tragic, destructive, self-destructive. Much like what the Baratheon brothers have served us before. Only with dragons involved on Dany's side, while Aegon mixes it up by simultaneously representing the Dornish side of the story, through his mother Elia - which is a whole different kettle of fish.

Jon's presence in there is probably going to be a very interesting complicating factor that might go in many different directions, with mirrors to Robb's Will and Stannis' offer of legitimization (another theme in the Dance), to accusations of manipulation and ambition (Criston Cole). The role of the prophecy is also going to be explored in all its myopic self-destructive emptiness.

This won't be a copy of the first Dance, though.

If there is an Hour of the Wolf, it's going to preside not over scarred survivors, but over the ashes and corpses of King's Landing and the Targaryen legacy in Westeros.

[aryastarkthelittleshewolf11]

Pack: Ned’s Men (Jory & Harwin)

Arya’s description of them at Winterfell -

Jory had always smiled at her, when he wasn’t telling her to get from underfoot. - Arya III, ASOS

“Harwin?” Arya whispered. It was! Under the beard and the tangled hair was the face of Hullen’s son, who used to lead her pony around the yard, ride at quintain with Jon and Robb, and drink too much on feast days. - Arya II, ASOS

Relationship & Caring for Arya -

Arya stood in the centre of the room, alone but for Jory Cassel - Eddard III,GOT

Ned could see Arya tense in Jory’s arms. Jory spoke up quickly. “We found no trace of the direwolf, Your Grace.” - Eddard GOT

“We all lie,” her father said. “Or did you truly think I’d believe that Nymeria ran off?” Arya blushed guiltily. “Jory kept his word,” her father said with a smile. - Arya II, GOT

“[…]There were other wolves for her to play with, we heard them howling, and Jory said the woods were full of game, so she’d have deer to hunt.[…]” - Arya II, GOT

His eyes went wide. “Gods be good,” he said in a choked voice. “Arya Underfoot? Lem, let go of her.” […] “The Hand’s daughter.” Harwin went to one knee before her. “Arya Stark, of Winterfell.” - Arya II, ASOS

She missed him (Hot Pie) more than she thought she would, but Harwin made up for it some. […] , but she left out the stableboy she’d stabbed with Needle, and the guard whose throat she’d cut to get out of Harrenhal. Telling Harwin would be almost like telling her father, and there were some things that she could not bear having her father know. - Arya III, ASOS

“[…] For every man we lost, two showed up to take his place. A few were knights or squires, of gentle birth, but most were common men - field hands and fiddlers and innkeeps, servents and shoemakers, even two septons. Men of all sorts , and women too, children, dogs…” “Dogs?” said Arya. “Aye,” Harwin grinned. “One of our lads keeps the meanest dogs you’d ever want to see.” “I wish I had a good mean dog,” said Arya wistfully. - Arya III ASOS

Warm and dry in a corner between Gendry and Harwin, Arya listened to the singing for a time, then closed her eyes and drifted off to sleep. - Arya III, ASOS

“We have sore need of horses, milady. Armor as well. Swords, shields, spears. All things coin can buy. Aye, and seed for planting, Winter is coming, remember?” He touched her under the chin. - Arya IV, ASOS

Gendry took one look and laughed so hard that wine came out his nose, until Harwin gave him a thwack alongside his ear. - Arya IV, ASOS

“You get away from them, boy — “ “She’s a girl,” said Harwin. “Leave her be.” […] The bars were too narrow to pass a cup through, but Harwin and Gendry offered her a leg up. - Arya V, ASOS

Betrayal of Trust -

They’d been her friends, she’d felt safe around them, but now she knew that was a lie. They’d let the queen kill Lady, that was horrible enough, but the Hound found Mycah. […] And no one raised a voice or drawn a blade or anything, not Harwin who always talked so bold […] , or Jory who was captain of the guard. - Arya II, GOT

The look she gave him was full of hurt. “I thought you were my father’s man.” “Lord Eddard’s dead, milady. I belong to the lightning lord now, and to my brothers.” - Arya III, ASOS

“End” -

Arya screwed up her face in a scowl. “Jaime Lannister murdered Jory, and Heward and Wyl, and the Hound murdered Mycah. Somebody should have behead them.” - Sansa III , GOT

Whirling, she broke for the door, and when Harwin tried to grab her arm she spun away from him quick as a snake. […] Someone was shouting her name, Harwin probably, or Gendry, but the thunder drowned the out […] - Arya VIII

[lannistertwinz]

"You loved me then what right had you to leave me?" - the parallels between Jaime/Cersei and Wuthering Heights

"There's a dialogue that goes on through the years and over the centuries where you read someone else's work and you're inspired by it, sometimes infuriated by it, and you say 'No, that's not quite right, here's the way it would be' and then you write your own twist on it, your own answer to it! There is this conscious playing with tropes, replying to other authors and making a reference or an homage in some cases… but there's also unconsciousness. Those are are rife, sometimes you read a book and you haven't looked at it for twenty years, but it's still there buried inside and suddenly someone points out 'this seems just like this' and you go 'Oh my god! It's right, I forgot about that!'. So it works both ways." - George R.R. Martin, Trinity College Dublin

“The first books I read besides comic books were cheap paperbacks which cost 35 cents back then. There were no bookstores in Bayonne so I got my paperbacks from a spinner rack and all the books in that were mixed up. There were science fiction books and fantasy books, which I liked, but there were also mystery novels, romance novels, nurse novels, gothics, spy novels and, of course, there were classics of literature mixed in with that: Shakespeare, Dostoiévski, the Brontë sisters, Jane Austen, etc.” – George R.R. Martin, Gamer’s Haven Podcast

As pointed out above, George has (whether conscious or unconsciously) taken inspiration from other works to create his own characters, and with this post I’d like to explain as to why I believe A Song Of Ice And Fire specifically plays with Heathcliff and Catherine’s relationship from Emily Brontë’s Wuthering Heights through Jaime and Cersei’s dynamic.

To briefly explain it to those who have not read it, Wuthering Heights is essentially the story of Heathcliff’s revenge on the Earnshaws and the Lintons for the discrimination suffered at their hands and their involvement in his estrangement from his friend and lover Catherine Earnshaw (aka Cathy) and, at it’s core, it is a novel about intergenerational abuse and family dysfunction.

Shaped by these circumstances, we have at the forefront of the book the toxic romance between the foster siblings Heathcliff and Catherine who, like Jaime and Cersei, develop a very intimate bond early on in their childhood:

She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him. – Nelly, Chapter V He could never bear to be long apart from his twin. – Jaime, ASOS

‘I was a child; my father was just buried, and my misery arose from the separation that Hindley had ordered between me and Heathcliff. I was laid alone, for the first time; and, rousing from a dismal doze after a night of weeping, I lifted my hand to push the panels aside: it struck the tabletop!’ – Catherine, Chapter XII Though Cersei often slept alone, she had never liked it. Her oldest memories were of sharing a bed with Jaime, when they had still been so young that no one could tell the two of them apart. Later, after they were separated, she'd had a string of bedmaids and companions, most of them girls of an age with her, the daughters of her father's household knights and bannermen. – Cersei, AFFC

We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph, on an errand from the stables. He tears down my handiwork, boxes my ears, and croaks. – Catherine, Chapter III "Sometimes as a lark we would dress in each other's clothes and spend a whole day each as the other." – Cersei, ACOK

I took my dingy volume by the scroop, and hurled it into the dogkennel, vowing I hated a good book. Heathcliff kicked his to the same place. – Catherine, Chapter III The dank and dismal fortnight Cersei spent at Greenstone, the seat of House Estermont, was the longest of her young life. Jaime dubbed the castle "Greenshit" at first sight, and soon had Cersei doing it too. – Cersei, AFFC

Miss Cathy had been sick, and that made her still; she leant against her father’s knee, and Heathcliff was lying on the floor with his head in her lap. – Nelly, Chapter V "Care for a bath, Brienne?" He laughed. "You're a maiden and there's the pool. I'll wash your back." He used to scrub Cersei's back, when they were children together at Casterly Rock. – Jaime, ASOS

Additionally, in both cases, the female characters have, from early on, a clear influence over their male counterparts:

His peevish reproofs wakened in her a naughty delight to provoke him: she was never so happy as when we were all scolding her at once, and she defying us with her bold, saucy look, and her ready words; turning Joseph’s religious curses into ridicule, baiting me, and doing just what her father hated most showing how her pretended insolence, which he thought real, had more power over Heathcliff than his kindness: how the boy would do her bidding in anything, and his only when it suited his own inclination. – Nelly, Chapter V “Father will never consent,” Jaime objected. […] “Is it a rock you want? Or me?” He remembered that night as if it were yesterday. […] By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest. – Jaime, ASOS

‘He’s considering he’d rather I’d come to him! Find a way, then! not through that kirkyard. You are slow! Be content, you always followed me!’ – Catherine, Chapter XII She rose, her eyes brimming with tears. “Is it truly you?” She did not come to him, however. She has never come to me, he thought. She has always waited, letting me come to her. – Jaime, ASOS

And there’s an element of adoration as well. In Wuthering Heights, at the end of Heathcliff’s life, Nelly refers to Catherine as his “departed idol” and Heathcliff describes Cathy as “so immeasurably superior to everybody on earth”. On the other hand, in A Song Of Ice And Fire, Jaime puts Cersei on a pedestal as the figure of “The Maiden” and describes Cersei’s flame in his weirwood dream as “the only light in the world”. Furthermore, the two claim to have suffered through hardships solely for the sake of these women and that their love is the ultimate factor that drives them:

‘I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!’ – Heathcliff, Chapter X When morning came, he made himself eat. They fed him a mush of oats, horse food, but he forced down every spoon. He ate again at evenfall, and the next day. Live, he told himself harshly, live for Cersei. – Jaime, ASOS

‘Be with me always - take any form - drive me mad! Only do not leave me in this abyss, where I cannot find you!’ – Heathcliff, Chapter XVI Beside Lord Tywin stood his sister, pale and beautiful, a torch burning in her hand. Her torch was the only light in the cavern. She turned to go. “Stay with me,” Jaime pleaded. “Don't leave me here alone. Don't leave me in the dark!” – Jaime, ASOS

However, the most striking similarities arise from the way that Catherine and Cersei perceive their relationships with Heathcliff and Jaime respectively. Catherine, though far from being the worst person out of the cast of characters present in the novel (certainly Hindley and Joseph and even Heathcliff himself are more morally reprehensible), is the one that possesses the most traits stereotypically ascribed to narcissism: she’s very duplicitous and self-absorbed, she has a completely delusional opinion of herself and consistently projects her own flaws onto others, she’s often contemptuous of the weaknesses of those around her, she has a very explosive temper and reacts with aggression when crossed, she flips situations on their head to make herself look like the victim and she certainly sees her relationships as transactional, including her relationship with Heathcliff:

‘And should I always be sitting with you? What good do I get? What do you talk about? You might be dumb, or a baby, for anything you say to amuse me, or for anything you do, either!’ – Catherine, Chapter VIII

It is also frequently mentioned that Catherine enjoys being in control and does not take well to being contradicted:

It was nothing less than murder in her eyes for anyone to presume to stand up and contradict her. – Nelly, Chapter IX Cersei is as gentle as King Maegor, as selfless as Aegon the Unworthy, as wise as Mad Aerys. She never forgets a slight, real or imagined. She takes caution for cowardice and dissent for defiance. – Tyrion, ADWD

I observed that Mr. Edgar had a deep-rooted fear of ruffling her humour. He concealed it from her; but if ever he heard me answer sharply, or saw any other servant grow cloudy at some imperious order of hers, he would show his trouble by a frown of displeasure that never darkened on his own account. He many a time spoke sternly to me about my pertness; and averred that the stab of a knife could not inflict a worse pang than he suffered at seeing his lady vexed. Not to grieve a kind master, I learned to be less touchy; and, for the space of half a year, the gunpowder lay as harmless as sand, because no fire came near to explode it. – Nelly, Chapter X His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cersei was all wildfire, especially when thwarted. – Jaime, AFFC

And this leads to a point of contention when Heathcliff returns a changed man from his time away:

‘Don’t vex me. Why have you disregarded my request?’ – Catherine, Chapter XI Why does he insist on vexing me? – Cersei, AFFC

‘Oh, you see, Nelly, he would not relent a moment to keep me out of the grave. That is how I’m loved!’ – Catherine, Chapter XV “You swore that you would always love me. It is not loving to make me beg.” – Cersei, AFFC

All of this, combined with the particular way in which Catherine describes her feelings for Heathcliff, led critics of the book to accuse Catherine of perceiving and thus loving Heathcliff as an extension of herself. And, surely, most of these things she privately confesses to Nelly could have easily come out of Cersei’s mouth, who has been confirmed by the author to being written as highly narcissistic.

In chapter IX, Catherine says that her love for Heathcliff is a necessity and throughout the series Cersei’s sentiments for Jaime are frequently displayed through that same lens:

The wench had the right of it. He could not die. Cersei was waiting for him. She would have need of him. – Jaime, ASOS They rode hard the next day, at Jaime's insistence. His son was dead, and his sister needed him. – Jaime, ASOS “Jaime, you're my shining knight. You cannot abandon me when I need you most!” – Cersei, ASOS “I need you with me. In me. Please, Jaime. Please.” – Cersei, AFFC “Why would Cersei need the Warrior? She has me.” – Jaime, AFFC She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” – Cersei, AFFC Jaime, I need Jaime. – Cersei, ADWD

Of course, in Cersei’s case, she “needs” Jaime because he is, in her mind, the brawn to her brain (“He was meant to be my sword and shield, my strong right arm.”), her protector, her agency in a patriarchal society… but she also needs him because she does not feel like a self-realized autonomous human being without him as she believes her own personhood has been split into two entities. And the same goes for Catherine:

‘I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?’ – Catherine, Chapter IX “Jaime and I are more than brother and sister. We are one person in two bodies.” – Cersei, AGOT

‘Supposing at twelve years old I had been wrenched from the Heights, and every early association, and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton, the lady of Thrushcross Grange, and the wife of a stranger: an exile, and outcast, thenceforth, from what had been my world. You may fancy a glimpse of the abyss where I grovelled!’ – Catherine, Chapter XII “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that. I am not whole without you.” – Cersei, ASOS

In fact, both women go as far as claiming their partners’ identities as their own:

‘Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.’ – Catherine, Chapter IX “You are me, I am you.” – Cersei, AFFC ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.’ – Catherine, Chapter IX

And from this idea of a shared existence and a lack of purpose when apart comes the desire for union in death and the mythologizing of these relationships:

‘If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.’ – Catherine, Chapter IX “If he were dead, I would know it. We came into this world together, Uncle. He would not go without me.” – Cersei, ADWD ‘She’s dead! I’ve not waited for you to learn that’. – Heathcliff, Chapter XVI

‘We’ve braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But, Heathcliff, if I dare you now, will you venture? If you do, I’ll keep you. I’ll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!’ – Catherine, Chapter XII I cannot die while Cersei lives, he told himself. We will die together as we were born together. – Jaime, ASOS ‘I wish they may shovel in the earth over us both!’ – Heathcliff, Chapter XXIX

What’s interesting about Wuthering Heights, though, is that, other than codependency, there is an inherent selfishness and possessiveness to this. In chapter XV, when Catherine is effectively dying, it is clear that she does not want Heathcliff to outlive her and she’s terrified by the idea of him moving on and finding happiness elsewhere:

‘How strong you are! How many years do you mean to live after I am gone?’ – Catherine, Chapter XV “Will you forget me? Will you be happy when I am in the earth? Will you say twenty years hence, ‘That’s the grave of Catherine Earnshaw? I loved her long ago, and was wretched to lose her; but it is past. I’ve loved many others since: my children are dearer to me than she was; and, at death, I shall not rejoice that I are going to her: I shall be sorry that I must leave them!’ Will you say so, Heathcliff?” – Catherine, Chapter XV

Indeed, Catherine goes as far as telling Heathcliff that she wishes he would just die (and suffer) alongside her:

‘I wish I could hold you till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!’ – Catherine, Chapter XV ‘I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted.’ – Catherine, Chapter XV

And Cersei does something comparable when she (in her delusion) asks Jaime to be her champion in a mortal combat knowing he is likely to lose for his handicap:

“My queen,” said Qyburn, “have you . . . forgotten? Ser Jaime has no sword hand. If he should champion you and lose . . .” We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” – Cersei, AFFC

Heathcliff and Catherine don’t die together, however, and, despite what happened in Game Of Thrones, I’m still highly sceptical that Jaime and Cersei will die together in the books either. Yet the impression that Wuthering Heights leaves is that the unhealthy nature of Heathcliff and Catherine’s bond is at the root of their own self-destruction and tragic end:

Ere long, I heard the click of the latch, and Catherine flew up-stairs, breathless and wild; too excited to show gladness: indeed, by her face, you would rather have surmised an awful calamity. – Nelly, Chapter X ‘Mrs. Linton is now just recovering,’ I said; ‘she’ll never be like she was, but her life is spared; and if you really have a regard for her, you’ll shun crossing her way again. […] Another encounter between you and the master would kill her altogether.’ – Nelly, Chapter XIV ‘You have killed me and thriven on it, I think.’ -  Catherine, Chapter XV “’Nay, it’s enough that he has murdered one of you,’ I observed aloud. ‘At the Grange, everyone knows your sister would have been living now had it not been for Mr. Heathcliff. After all, it is preferable to be hated than loved by him. When I recollect how happy we were, how happy Catherine was before he came, I’m fit to curse the day.’ Most likely, Heathcliff noticed more the truth of what was said, than the spirit of the person who said it. His attention was roused, I saw, for his eyes rained down tears among the ashes, and he drew his breath in suffocating sighs.” – Isabella, Chapter XVII ‘She might have been living yet, if it had not been for him!’ was his constant bitter reflection; and, in his eyes, Heathcliff seemed a murderer. – Nelly, Chapter XXI

‘I forgive what you have done to me. I love my murderer but yours! How can I?’ – Heathcliff, Chapter XV ‘It was a strange way of killing: not by inches, but by fractions of hairbreadths, to beguile me with the spectre of a hope through eighteen years!’ – Heathcliff, Chapter XXIX

The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in let me in!’ ‘Who are you?’ I asked, struggling, meanwhile, to disengage myself. ‘Catherine Linton,’ it replied, shiveringly (why did I think of Linton? I had read Earnshaw twenty times for Linton) ‘I’m come home: I’d lost my way on the moor!’ As it spoke, I discerned, obscurely, a child’s face looking through the window. - Mr. Lockwood, Chapter III The following evening was very wet: indeed, it poured down till day-dawn; and, as I took my morning walk round the house, I observed the master’s window swinging open, and the rain driving straight in. […] I peeped in. Mr. Heathcliff was there laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark! – Nelly, Chapter XXXVI

And I wouldn’t be surprised if A Song Of Ice And Fire were to go in the same direction:

It is raining again, he thought when he saw how wet she was. The water was trickling down her cloak to puddle round her feet. How did she get here? I never heard her enter. She was dressed like a tavern wench in a heavy roughspun cloak, badly dyed in mottled browns and fraying at the hem. A hood concealed her face, but he could see the candles dancing in the green pools of her eyes, and when she moved he knew her. – Jaime, AFFC I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. – Jaime, AFFC The Stranger represents death and the unknown, and leads the dead to the other world. Whilst referred to as male, he is neither male nor female. The Stranger's face has been described as half-human, concealed beneath a hooded mantle. – A Wiki Of Ice And Fire

“Gold shall be their crowns and gold their shrouds. And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” – Maggy The Frog, AFFC “Tyrion is the valonqar. Do you use that word in Myr? It's High Valyrian, it means little brother.”  - Cersei, AFFC “He came into this world holding my foot, our old maester said”. – Cersei, AGOT “The Imp is no longer my brother, if he ever was.” – Cersei, AFFC A man stepped into the lantern light, and she saw his cloak was white. “Jaime?” I dreamt of one brother, but the other has come to wake me. – Cersei, AFFC

So, in conclusion, I find it plausible that George might have simply taken the narcissism, the violence and the “twin soul”/“other half” connection present in Wuthering Heights to it’s even more extreme by creating the chaotic mess that is the incestuous relationship between twins who are mirror images of each other... And there's a decent number of parallels to at least make a case for it!

Tag: @faintingheroine

[esther-dot]

Have we talked about these?

Those purple eyes grew huge then, and the royal mouth drooped open in shock. He lost control of his bowels, turned, and ran for the Iron Throne. Beneath the empty eyes of the skulls on the walls, Jaime hauled the last dragonking bodily off the steps, squealing like a pig and smelling like a privy. A single slash across his throat was all it took to end it. So easy, he remembered thinking. A king should die harder than this. Rossart at least had tried to make a fight of it, though if truth be told he fought like an alchemist. Queer that they never ask who killed Rossart . . . but of course, he was no one, lowborn, Hand for a fortnight, just another mad fancy of the Mad King.  (ASOS, Jaime II)

Lickspittle. If truth be told, Jaime had come to rue heaving Brandon Stark out that window. Cersei had given him no end of grief afterward, when the boy refused to die. "He was seven, Jaime," she'd berated him. "Even if he understood what he saw, we should have been able to frighten him into silence." (ASOS, Jaime I)

and

"A man who would violate his own sister, murder his king, and fling an innocent child to his death deserves no other name." (ASOS, I)

and

"Does the sight of my stump distress you so?" Jaime asked. "You ought to be pleased. I've lost the hand I killed the king with. The hand that flung the Stark boy from that tower. The hand I'd slide between my sister's thighs to make her wet." He thrust his stump at her face. "No wonder Renly died, with you guarding him." (ASOS, Jaime V)

I was just rereading some Jaime chapters, and I thought we were joking about “Kingslayer” being a hint for King Bran, but that’s actually what Martin was doing?

[zetaaa]

 "...but Aerys liked to keep me close. I was my father's son, so he did not trust me." ASOS, Jaime V

[ilynpilled]

He wrote a stir. He didn't write erection. There are degrees of penis activation before you reach erection. GRRM likes to confuse his readers. A stir of the cock is not the strongest indication of sexual interest much less romantic feelings. I am a dude. I have erections and understand them.

- Jaime Lannister, ASOS Jaime V

[aegor-bamfsteel]

In your opinion, is Catelyn Stark a warm person? Or, at least to people who she isn’t particularly close with, do you think she comes across as cold in many of her interactions? Genuinely curious what you think

Instances of Catelyn being warm to strangers/people she doesn’t know well:

Wanted to bury/put under a cairn the men killed in her service from an attack by the mountain clans, saying they deserved better than to be carrion, and wanted the gods to forgive her when told they had to keep moving. —AGOT Tyrion IV

Personally gave each of the oarsmen on the Storm Dancer a silver stag (and a copper to those who carried her to the inn) because she feared Captain Tumitis might want to keep the money for himself. —AGOT Catelyn IV

Asked Mya Stone about “her love” Mychel Redfort, and smiled at her dream of marrying him even though she knows the class difference makes it impossible. —AGOT Catelyn VI

Tried to talk down armored knights from killing Brienne, helped distract Emmon by braining him with a brazier during the duel, taking her with her escort to Riverrun to avoid being killed by Renly’s men, then convincing Brienne not to throw her life away to seek Stannis immediately. This was after one conversation and just feeling Brienne was innocent of Renly’s death. —ACOK Catelyn IV&V

Making sure the Silent Sisters are provided with fresh horses and guards to escort Ned’s bones to Winterfell. —ACOK Catelyn V

Despite her own sadness and misgivings on them being there, allowed Desmond Grell to break open wine casks and for the smallfolk to have a party following the victory at Stone Mill. —ACOK Catelyn VI

Tried to comfort Jeyne Westerling as Robb is getting more distant, telling her about how the Starks belong to the Old Gods, despite not approving of the marriage. —ASOS Catelyn III

Tried to comfort Lynesse Hightower’s despair at how out-of-place she felt at Bear Island by relating her own experience as a southerner with a Northern husband. —ASOS Catelyn V

Strangers to whom Catelyn is courteous (not necessarily warm, but not rude either):

Ser Donnel Waynwood, asking for Maester Colemon to treat Rodrik’s wounds —AGOT Catelyn VI

Ser Vardis Egen, trying to prevent the Vale lords from executing Tyrion —AGOT Catelyn VII

Lord Walder Frey, asking to open the gates for Robb’s men to cross— AGOT Catelyn IX

Margaery Tyrell, saying she was kind to console her for Ned’s death—ACOK Catelyn II

Robar Royce, for escorting her to and from a Bitterbridge Sept —ACOK Catelyn IV

Times when Catelyn was cold/sharp/snappish to people she doesn’t know well:

When Petyr Baelish has her summoned to a tower in the middle of the night by the City Watch, after not seeing her for years —AGOT Catelyn IV

When Tyrion insinuated she had slept with Petyr Baelish. —AGOT Tyrion IV

When Tyrion boasts of Lannister pride, considering she thinks he killed her son at the time. —AGOT Catelyn VI

When Jaime snarks that he doesn’t have her brother, father, and daughters (all in Lannister hands at the time) around, after he’s been captured —AGOT Catelyn X

When Randall Tarly insinuates Robb is less than a man for not coming to parley himself, she sharply protests that Robb is fighting in a war and not a tourney —ACOK Catelyn II

When Stannis and Renly refuse to put their quarrel aside and fight the Lannisters together. —ACOK Catelyn II

When Martyn Rivers tells her that Robb fed Stafford Lannister’s heart to Grey Wind. —ACOK Catelyn V

When Jaime admits to pushing Bran out of a window and insults Ned’s honor. —ACOK Catelyn VII

When she tells Roose about the accusations (rape, murder) against Ramsay. —ASOS Catelyn VI

From these instances I’ve collected, I can conclude that Catelyn is warm to strangers who have helped her, who she sees herself/her family in, or who are innocent and need comfort. She is courteous to strange lords in their own territories when she needs something from them (crossing bridges, medical care), or out of common politeness when they haven’t been rude before. She is cold to people she doesn’t know well who insult her family or have done them harm, gloss over atrocities they/their underlings have committed, or when courtesy has failed and she’s trying to remind them of the larger picture. The interactions with those she does know well (Edmure, Ned, Rodrik, Blackfish, Hoster, Lysa, Robb, Theon) have more dimensions, ranging from affectionate to disappointed to appalled; and she admits she might be too harsh with Edmure or Robb at times, which causes them to freeze her out (ASOS Catelyn V), or that since they’re kings/lords now, she can’t be as openly affectionate (AGOT Catelyn VIII). But I don’t think she comes across any colder than most people when interacting with strangers: she’s kind to those who help/need comfort, polite but reserved according to normal circumstances, and cold when a person is actively hostile to her/her family.

[asongofstarkandtargaryen]

The truth was rather different. His uncle had taught him a bit of tumbling when he was six or seven. Tyrion had taken to it eagerly. For half a year he cartwheeled his merry way about Casterly Rock, bringing smiles to the faces of septons, squires, and servants alike. Even Cersei laughed to see him once or twice.

All that ended abruptly the day his father returned from a sojourn in King’s Landing. That night at supper Tyrion surprised his sire by walking the length of the high table on his hands. Lord Tywin was not pleased. “The gods made you a dwarf. Must you be a fool as well? You were born a lion, not a monkey.”

"Tysha?" His stomach tightened. "What of her?"

"She was no whore. I never bought her for you. That was a lie that Father commanded me to tell. Tysha was . . . she was what she seemed to be. A crofter's daughter, chance met on the road."

[...]but Tyrion is Tywin's son, not you

Tywin & Tyrion

The Carnivorous Lamb - Agostin Gómez-Arcos// Tywin's favor - Sidharth Chaturvedi// Tyrion IV - ADWD// Origin Story - Desirée Dallagiacomo// Tyrion IX - ASOS// Game of Thrones s01 ep10// Jaime V - AFFC// Mirror Traps - Hera Lindsay Bird// Game of Thrones s04 ep10.

[death-of-cats]

Jaime V ASOS

Alayne I AFFC

it's so interesting that Roose Bolton, a character seemingly out of a dark fairy tale himself, is dismissive of Harren's curse, while it's the relentlessly practical Littlefinger who gives the idea credence. You best start believing in ghost stories Miss Stark, you're in one.

[deathless--aphrodite]

Brienne + Myrcella + parallels

Tyrion V, ACOK / Cersei I, ADWD / Janice Lobo Sapiago, Like A Solid To A Shadow / James Barry, King Lear weeping over the body of Cordelia / Tyrion V, ACOK / Brienne III, AFFC / Ada Limón, In The Shadow / The Unicorn in Captivity / Tyrion IX, ACOK / Jaime I, ASOS / Denise Riley, A gramophone on the subject / Ethel Jackson Morris, Maiden with White Deer / The Soiled Knight, AFFC / Catelyn V, ACOK / Ron Padgett, How To Be Perfect / Hannah Paul, Princess with a spindle / The Princess in the Tower, AFFC / Brienne V, AFFC / House of the Dragon, The Heirs of the Dragon / Cersei I, ADWD / Brienne VII, AFFC / Safia Elhillo, Bad Girl / Jacques-Marie-Gaston Onfray de Breville, Joan of Arc at the head of her army